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・ Pete Fromm
・ Pete Gage
・ Pete Gage (guitarist)
・ Pete Gage (singer)
・ Pete Gallego
・ Pete Galligan
・ Pete Ganbarg
・ Pete Garcia
・ Pete Gas
・ Pete Gaudet
・ Pete Gebrian
・ Pete George
・ Pete Carmichael, Jr.
・ Pete Carney
・ Pete Carpenter
Pete Carr
・ Pete Carril
・ Pete Carroll
・ Pete Carter
・ Pete Case
・ Pete Cashmore
・ Pete Cassidy
・ Pete Castiglione
・ Pete Catan
・ Pete Cawthon
・ Pete Center
・ Pete Charton
・ Pete Chatmon
・ Pete Chilcutt
・ Pete Childs


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Pete Carr : ウィキペディア英語版
Pete Carr

Jesse Willard "Pete" Carr (born April 22, 1950) is an American guitarist. Carr has contributed to hit recordings by Joan Baez, Luther Ingram, Bob Seger, Joe Cocker, Boz Scaggs, Paul Simon, The Staple Singers, Rod Stewart, Barbra Streisand, Wilson Pickett, Hank Williams, Jr., and many more over the past four decades. He has also recorded and produced four solo albums and was half of the duet LeBlanc and Carr. Carr has recorded extensively at FAME Recording Studio in Muscle Shoals, Alabama and Muscle Shoals Sound Studio in Sheffield, Alabama. He was lead guitarist for the famed Muscle Shoals Rhythm Section. Carr is known for versatility, using both electric and acoustic guitars to perform a vast array of musical styles including folk, rock, pop, country, blues and soul.
In addition, Carr has added depth to his understanding of the recording studio environment by engineering and producing numerous albums over the years which has led to several Grammy nominations. In 1974, Paul Simon's "There Goes Rhymin' Simon" album was nominated for two Grammy awards; and "Against the Wind" by Bob Seger earned two Grammy awards in 1981.〔Rolling Stone, November 26, 1981, p. 53-67〕 In addition, Carr co-produced Bob Seger's "Stranger in Town" album which featured the iconic hit "Old Time Rock and Roll".
==Early years==
Carr was born in Daytona Beach, Florida and started to play the guitar at age 13. The Beatles and the Rolling Stones were major influences on his early interest in music. Carr later became interested in guitar instrumentals such as "Walk Don't Run 64" by The Ventures, which he learned note for note by listening to the record. Around this time a guitar player from Memphis, Travis Wammack, released an instrumental guitar record named "Scratchy". The other side of the record was named "Fire Fly". When Carr heard "Scratchy" on the radio he was so impressed he immediately went out and bought the record. Carr also learned from listening to guitarist such as James Burton, Jeff Beck, Eric Clapton, Duane Allman, Ted Connors and Chet Atkins.
At the age of 15, Carr went to see the Allman Joys play at the Club Martinique in Daytona Beach. Carr, with guitar case in hand, introduced himself when the band took a break and asked Gregg Allman to show him some guitar lines. Gregg replied, "That's my brother, Duane's, department." At that point Carr introduced himself to Duane Allman. That meeting began a friendship which lasted until Allman's tragic death in a motorcycle crash October 29, 1971.〔Gritz Magazine, May 2000 issue.〕
In 1967 Carr, Gregg Allman, Duane Allman, Paul Hornsby and Johnny Sandlin, in a group named The Hour Glass, played together on the "The Power Of Love" album. The Hour Glass had recorded songs in Muscle Shoals, Alabama, at Rick Hall's FAME Studios which was known for innovative productions and great sound.〔Randy Poe, "Skydog: The Duane Allman Story", (New York: Backbeat Books, 2006), p. 49-54.〕 One song recording at FAME, "Sweet Little Angel", was later released in a Duane Allman Anthology set. This recording is now considered a classic piece of raw electric southern rock blues.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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